International Fine Art Photography competition 2013 nomination


Grand prix de la découverte 2013

Look what I’ve found  in my e-mail:

[testimonials] [testimonial avatar=”” name=””]

“Dear Edgar,

It is with great pleasure that the International Fine Art Photography Competition announces that you are a Grand Prix de la Découverte finalist in the Experimental category with your image entitled “Pig.”

The jurors selected this image from nearly 5000 photographs for its artistic quality and originality. Congratulations! This award is a tribute to your talent as a fine art photographer and to the ability of your image to capture a diverse jury’s attention.”

[/testimonial] [/testimonials]


I’m really delighted to be nominated !

For people who don’t know what this is about: The International Fine Art Photography Award (“Grand prix de la découverte”) is a competition with a clear mission—to celebrate fine art photography and discover new talent.

As a finalist my image will be:

  • Exhibited at the Paris Salon de la Photo (November 2013), visited by more than 80,000 photography lovers.
  • Accepted into the prestigious collection of the Bibliothèque Nationale de France
  • Exhibited in the Grand Prix de la Découverte online gallery and social media community

I think it’s nice to see that a more or less surreal photograph is being chosen in the experimental category! Who would have thought?


There are also other great finalist with terrific art. You can see them below.

If you would like to know more about this price:


Vive la france,


Edgar Verhoeven

Finalists Fine Art Photography Award 2013
Finalists Fine Art Photography Award 2013

Zomerexpo 2013

The ‘Gemeentemuseum Den Haag’ and the foundation Artworlds  organize, for the third time, the Summer Expo (Zomerexpo) in the Netherlands. This is the biggest visual arts exhibition an artist can enter by means of an open enrollment.

There are three locations you can enter:

-Loods 6 in Amsterdam

-Las Palmas in Rotterdam

-and TAC in Eindhoven

For each location there are two rounds. When you are selected in the first round, you can go to the second round in the evening.

I showed up in Rotterdam at noon with three of my computer manipulated photographs. In the first round two works of mine were selected. After a long wait and exhilarating day another jury chose one of my works in the evening. Needles to say I was very glad that they chose me as one of the artists. Out of 3000 submissions, 250 works of art were finally chosen.

The work will be showed at an online gallery, and in the Gemeente Museum of the Hague from the 8th of June until the 15th of September.

The event will be broadcast on national television. It’s a program called ‘Avro’s kunst uur’, so who knows I will be on tv (hope not 😉

See for more information:



foto foto2 foto3 foto4  foto6

Young contemporary art

I think it was a year ago, that I stumbled upon a book called “The Upset: young contemporary art”. I didn’t know it then, but it was going to have an impact on what I was doing with photography.

I was just walking in this bookstore, heading for the photography section, because I wanted to buy a book on photography techniques. While I was making my way through the bookstore, my eye caught this glimpse of  a tree trunk with an eye in it. It took a few seconds, before this image got processed in my brain, but when it did, it made me stop. I walked back to where I saw this tree trunk and  this is what I saw:












Mark Ryden – The Apology


It was the cover of the book I just mentioned.

I don’t know why it made me stop, but it did. I’m trying to think of a rational explanation, but it was more of a feeling than anything else. Something started to ‘ resonate’, but what?

First of all, I think it is beautifully painted. But what struck me was that it has this child like quality to it. Almost cartoonish. Perhaps because you see a young girl, but it also evokes a sense of wonder and mystery you’d normally wouldn’t see in a piece of art. It’s almost fairytale like, but with a darkness commonly not associated with fairytales (at least the Disney version of it).

Also I normally I don’t associate figurative paintings with contemporary art. But here it is,  a ‘strange’ image in my hands  and something is shifting in my brain.

According to the book, Mark Ryden belongs to this art movement called “lowbrow” or “pop-surrealism”. It’s a movement that has it’s roots in the underground scene. In street art, Graffiti etc. It’s called “lowbrow” because it is the opposite of “highbrow”, meaning fancy, sophisticated, elitist or intellectual. It’s an form of art that developed outside the ‘academic’ world of the arts. To me it sounded more basic, more primal. Perhaps in a sense more real.

This book was like some sort of catalyst for me. A year and a half ago I was thinking really hard on what sort of photographer I wanted to be. Is it commercial photography? Art Photography? Documentary? Fashion? I was really looking hard for an identity. And here I was confronted with highly skilled artists that make all of these images filled with a sense of wonder. Artists who are still in touch with that ‘magical world’  we inhabit as young children. They still have that ability to see wonder around us.

It wasn’t a grand revelation or anything. But slowly I realised that I really had to follow my own dreams and visualise them. In part their work made me focus on what I wanted to do with my photography.

So instead of buying this photography techniques book, I bought this book, with all of these wonderful artists. Perhaps one of the best buys I ever did.

I have added more pieces of art by other artists in this book. You can see them below. I  hope you enjoy them. If you want to see more work you can find these here:


Martin Witthfoot - Occupy











Martin Witthfooth – Occupy


Ray Caesar-DayBreak

















Ray Caesar – Daybreak


Femke Hiemstra - Line Of Faith












Femke Hiemstra – Line Of Faith





I have a dream

The early days

I’m a dreamer. I’ve always been one. I can remember, when I was a kid, I would play in the woods with a friend of mine. We imagined that it was an ancient dark forest with all sorts of otherworldly creatures lurking in the dark awaiting to be slain by our skillful hands holding self-made wooden swords.  After a day playing outside we rode off into the sunset on our magic bikes, back in time for dinner. Oh yes, there was something called “school”, but we did that on the side so to speak. That was something your parents put a lot of emphasis on for some reason or another. But aside from that, it was a great time. The world was full of adventure. You just had to look and pretend it was there.

Somewhere along the line we seem to loose this ability.  When you grow up, the world is slowly revealing itself for what it is. Before you know it, we are stuck with the mundane reality. “Keeping you’re head in the clouds is not good for you”, my father used to say. Somehow you are implicitly expected to leave that magical world behind.  Fantasies are not serious and it’s a serious world out there. I had to prepare for the future. So eventually play made way for work, career, mortgage, responsibility, a pension, etc.

Present day

So where are we now?  We are living for the most part in a demystified world. But that’s not because there’s no mystery left. It’s because we don’t allow ourselves to see it. We have replaced it by a 24 hour economy. You see, we live pretty comfortable lives. But in order to do so we have to be productive. At least 40 hours a week and probably more. Our economy is based on growth. This means that in order to grow, our society needs to work harder. We have to be more efficient and systematic. Therefore the pace of life speeds up tremendously. It’s a pretty demanding force. So here we are, running around like crazy. Consuming like there’s no tomorrow. But eventually somethings gotta give.

De-rationalize yourself

Somewhere deep inside there’s a voice. It’s very weak at first, almost inaudible. I didn’t realize it was there and it took me a while to be aware of that voice. But when you really listen it’s starts to grow. Louder and louder. Until you cannot ignore it any longer. This voice is saying that there is something missing. That there’s no room for wonder and amazement anymore. It is confined to the realm of childhood. Myths and legends belong to the past. You can blame society and progress, but it starts within ourselves. With a different way of looking. Perhaps a different way of experiencing. In a way you have to  “de-rationalize” yourself. Stop running around and stop consuming to fill that hole. It starts with getting in touch with that ability that we have lost.

So that’s what I’m doing. I have a dream. I have many dreams in fact. I haven’t forgotten. I can see them as clear as day. I don’t know where it is taking me. But I have to ‘catch’ these images and show them. Hopefully people will stop for a little while with their hectic lives and perhaps I can make them remember too.

I’m a dreamer, I’ve always been one………and always will be.

The making of a commercial still part 5

Hello and welcome to part five of “the making of a commercial still”.

Last time I was really excited because I discovered a feature in Blender called “the fluid simulator”. I had seen a couple of demos and it looked really promising. I  envisioned the perfume bottle surrounded by all sorts of water splashes, giving it that really slick look.

So last week I fiddled with the settings and generated dozens of splashes. Big ones, small ones, a lot of drops, few drops etc. I’ve dropped all sorts of objects in virtual water, just to see what kind of effect it had. Actually what you do is, you make a small little animation (about one second) of an object hitting the water. The program calculates each frame, one by one. At the end you can select which frame you are going to use for the image still. This is a really time consuming process. To generate a high resolution splash, you have to let the computer render overnight.

And the results were… be really honest…..a little disappointing!

Although it generates all sorts of splashes, it doesn’t look realistic enough, to my taste.

I’ve included two photo’s so you can see for yourselves:







































I have set the fluid to act like water (oil is a possibility too), but it doesn’t look like water to me. It has a plastic, or glue-ish kinda feel to it. I don’t know what it is? Not only that, but it generates all sorts of weird artefacts. You can see in the upper picture that the small droplets have these black ’things’ around them. Like there is some bug in the program.

Anyway, I don’t consider this to usable for realistic and commercial use.

So it’s back to the drawing board. First I have to think about how pimp this image in another way.

Next time you will see the results.

Dreaming with the camera

The following is a post written by Rommert Boonstra, a Dutch photographer and poet. He is known to be the one of the founders of imaginative photography in the Netherlands.

The post below is written in Dutch.



Over de wereld doen twee geruchten de ronde. Het ene luidt dat het einde der tijden nabij is en het andere dat we een gouden toekomst tegemoet gaan.
Een gouden toekomst vol ondergang en verval zou misschien een goed compromis zijn.
Blijft de vraag- Is er vooruitgang? Of gaan we met bekwame spoed achteruit? Lopen we hard of lopen we dood?

Er zijn in de geschiedenis van de wereld 39 Ferrarari’s 250 GTO geproduceerd. Ze gaan een stuk sneller dan de strijdwagen waarin Ben Hur zich verplaatste. Dat zou vooruitgang kunnen zijn. Behalve als je door zo’n Ferrari op topsnelheid geschept wordt. Voor de paarden had je misschien nog weg kunnen springen.

Ik heb ook bij de plofkip naar positieve ontwikkelingen geïnformeerd, bij een depressieve wegsmeltend ijskap, bij de glorieus oprukkende Sahel woestijn en bij een geleerde die net duizelig uit de deeltjesversneller tevoorschijn kwam. De antwoorden waren zeer divers.

Het grote voordeel van ondergang en verval is in ieder geval dat ze heilzaam zijn voor de kunst. Zie het prachtige werk van Edgar Verhoeven. Het sombere en het hilarische gaan hand in hand. Als we ten onder gaan, dan gaan we in ieder geval vol vrolijke verbazing ten onder.

If you are interested in Rommert Boonstra’s work, see the following link:


From the vault: Classic Club Night

These were photographs for a project called “Classic Club Night”. This is an event where classical music meets urban music. It is a fun idea that the Rotterdam Philharmonic Orchestra expand their classical horizon to melt it with some underground music.

So here they are: